La Bouche by Bart Skils cover art

La Bouche

Bart Skils

30s preview

Key
2B · F♯ major
BPM
126
Open Key
7d
Energy
80/100
Pop
0/100
Length
7:38
Released
2013
Album
Shantaram
Genre
Techno
Loudness
-10.8 dB
Dynamics
8.3 dB
ISRC
DEAA21300016

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, La Bouche sits in F♯ major (2B) at 126 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Bart Skils's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 98% of Bart Skils's catalogue
Tempo:
slower than 97% of Bart Skils's catalogue
Groove:
groovier than 78% of Bart Skils's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood12Dark
Groove81
Acoustic3
Instrumental95
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is La Bouche in?

La Bouche by Bart Skils is in F♯ major, or 2B on the Camelot wheel.

What BPM is La Bouche?

La Bouche runs at 126 BPM, a club-tempo track.

What mixes well with La Bouche?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is La Bouche good for peak time?

With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Bart Skils

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track