Thin Line - Dub
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 82/100
- Pop
- 3/100
- Length
- 3:37
- Released
- 2020
- Album
- Thin Line (Dub)
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 10.7 dB
- ISRC
- GBCPZ2019270
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Thin Lineoriginal3A · 125
- Thin Line - Extended Mixversion3A · 125
- Thin Line - Charlie Hedges & Eddie Craig Remixremix3A · 125
- Thin Line - Charlie Hedges & Eddie Craig Extended Remixremix3A · 125
Against the original (3A at 125 BPM), this version runs 1 BPM faster and moves the key from 3A to 4B.
A club-tempo house cut, Thin Line - Dub sits in A♭ major (4B) at 126 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 83% of John Summit's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Thin Line - Dub in?
Thin Line - Dub by John Summit is in A♭ major, or 4B on the Camelot wheel.
What BPM is Thin Line - Dub?
Thin Line - Dub runs at 126 BPM, a club-tempo track.
What mixes well with Thin Line - Dub?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Thin Line - Dub good for peak time?
With energy 82 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
