Thin Line - Charlie Hedges & Eddie Craig Extended Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:06
- Released
- 2021
- Album
- Thin Line (Charlie Hedges & Eddie Craig Remix)
- Genre
- House
- Label
- D4 D4NCE
- Loudness
- -6.6 dB
- Dynamics
- 13.9 dB
- ISRC
- GBCPZ2019144
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Thin Lineoriginal3A · 125
- Thin Line - Extended Mixversion3A · 125
- Thin Line - Dubversion4B · 126
- Thin Line - Charlie Hedges & Eddie Craig Remixremix3A · 125
Against the original (3A at 125 BPM), this version holds the same tempo in the same key.
Thin Line - Charlie Hedges & Eddie Craig Extended Remix is a club-tempo house track in B♭ minor (3A) at 125 BPM. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of John Summit's catalogue.
- Tempo:
- slower than 85% of John Summit's catalogue
- Brightness:
- brighter than 85% of John Summit's catalogue
- Low end:
- more treble-tilted than 84% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Thin Line - Charlie Hedges & Eddie Craig Extended Remix in?
Thin Line - Charlie Hedges & Eddie Craig Extended Remix by John Summit is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Thin Line - Charlie Hedges & Eddie Craig Extended Remix?
Thin Line - Charlie Hedges & Eddie Craig Extended Remix runs at 125 BPM, a club-tempo track.
What mixes well with Thin Line - Charlie Hedges & Eddie Craig Extended Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Thin Line - Charlie Hedges & Eddie Craig Extended Remix good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
