Red Alert - Grant Nelson Remix - Edit
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:30
- Released
- 2022
- Album
- Red Alert (Remixes)
- Genre
- House
- Loudness
- -5.2 dB
- Dynamics
- 13.5 dB
- ISRC
- GBBKS2100242
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Red Alertoriginal2B · 74
- Red Alert - The Cube Guys Remix - Editremix5A · 125
- Red Alert - Mihalis BASS Remix - Editremix12A · 126
- Red Alert - Analog People In A Digital World Remixremix8B · 128
- Red Alert - Grant Nelson - Instrumentaloriginal2A · 125
- Red Alert - Grant Nelson - Instrumental - Editversion2A · 125
Against the original (2B at 74 BPM), this version runs 51 BPM faster and moves the key from 2B to 4A.
Red Alert - Grant Nelson Remix - Edit: club-tempo house, F minor (4A), 125 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Basement Jaxx's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 93% of Basement Jaxx's catalogue
- Energy:
- hotter than 85% of Basement Jaxx's catalogue
- Tempo:
- slower than 78% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Red Alert - Grant Nelson Remix - Edit in?
Red Alert - Grant Nelson Remix - Edit by Basement Jaxx is in F minor, or 4A on the Camelot wheel.
What BPM is Red Alert - Grant Nelson Remix - Edit?
Red Alert - Grant Nelson Remix - Edit runs at 125 BPM, a club-tempo track.
What mixes well with Red Alert - Grant Nelson Remix - Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Red Alert - Grant Nelson Remix - Edit good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
