Where You Are - Zedd Remix
30s preview
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 62/100
- Pop
- 56/100
- Length
- 3:05
- Released
- 2023
- Album
- Where You Are (Zedd Remix)
- Genre
- Progressive House
- Label
- Off The Grid Records
- Loudness
- -6.5 dB
- Dynamics
- 15.6 dB
- ISRC
- USUG12304061
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where You Areoriginal8A · 126
- Where You Are - GRiZ Remixremix8A · 140
- Where You Areoriginal9A · 130
- Where You Are (Orchestral Version) - Live At The Forumoriginal8A · 132
- Where You Are (Orchestral Version) - Live At The Forumoriginal8A · 132
- Where You Are - Millero Remixremix8A · 126
Against the original (8A at 126 BPM), this version runs 4 BPM faster in the same key.
Where You Are - Zedd Remix is a peak-time tempo progressive house track in A minor (8A) at 130 BPM. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). Calmer than 96% of John Summit's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 95% of John Summit's catalogue
- Brightness:
- darker than 89% of John Summit's catalogue
- Groove:
- less groove-driven than 86% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Where You Are - Zedd Remix in?
Where You Are - Zedd Remix by John Summit is in A minor, or 8A on the Camelot wheel.
What BPM is Where You Are - Zedd Remix?
Where You Are - Zedd Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Where You Are - Zedd Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Where You Are - Zedd Remix good for peak time?
With energy 62 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
