Curious by Alex Niggemann cover art

30s preview

Key
10A · B minor
BPM
118
Open Key
3m
Energy
70/100
Pop
0/100
Length
7:21
Released
2012
Genre
Tech House
Loudness
-11.3 dB
Dynamics
9.6 dB
ISRC
DEL021220027

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Curious is a mid-tempo tech house track in B minor (10A) at 118 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Alex Niggemann's catalogue. For programming, treat it as a mid-set roller.

Tempo:
slower than 97% of Alex Niggemann's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood22Dark
Groove80
Acoustic21
Instrumental92
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Curious in?

Curious by Alex Niggemann is in B minor, or 10A on the Camelot wheel.

What BPM is Curious?

Curious runs at 118 BPM, a mid-tempo track.

What mixes well with Curious?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Curious good for peak time?

With energy 70 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 118 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More tech house

More from Alex Niggemann

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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