Still Life - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 117
- Open Key
- 9m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 6:10
- Released
- 2010
- Album
- Full Circle
- Genre
- Tech House
- Loudness
- -8.2 dB
- Dynamics
- 10.8 dB
- ISRC
- GBYNV1000615
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Still Life - Christian Smith Remixremix4A · 126
- Still Lifeoriginal4A · 117
Still Life - Original Mix is a mid-tempo tech house track in F minor (4A) at 117 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. More underground than 99% of Wehbba's catalogue.
- Tempo:
- slower than 97% of Wehbba's catalogue
- Groove:
- groovier than 91% of Wehbba's catalogue
- Energy:
- calmer than 80% of Wehbba's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Still Life - Original Mix in?
Still Life - Original Mix by Wehbba is in F minor, or 4A on the Camelot wheel.
What BPM is Still Life - Original Mix?
Still Life - Original Mix runs at 117 BPM, a mid-tempo track.
What mixes well with Still Life - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Still Life - Original Mix good for peak time?
With energy 72 out of 100 at 117 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] by David Hasert cover art](https://i.scdn.co/image/ab67616d00001e02064f5ee13e0f1d1e84e64212){kind=small}
How to mix it
In 4A at 117 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More tech house
More from Wehbba
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
