![Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] by David Hasert cover art](https://i.scdn.co/image/ab67616d00001e02064f5ee13e0f1d1e84e64212)
Nighttrain (Feat Christiane Spruit) (Original) [David Hasert]
30s preview
- Key
- 5A · C minor
- BPM
- 117
- Open Key
- 10m
- Energy
- 67/100
- Pop
- 0/100
- Length
- 5:58
- Released
- 2011
- Album
- David Hasert & Pawas - Follow The Light
- Genre
- Deep House
- Loudness
- -8.8 dB
- Dynamics
- 10.3 dB
- ISRC
- DEAR41166698
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] is a mid-tempo deep house track in C minor (5A) at 117 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of David Hasert's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 94% of David Hasert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] in?
Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] by David Hasert is in C minor, or 5A on the Camelot wheel.
What BPM is Nighttrain (Feat Christiane Spruit) (Original) [David Hasert]?
Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] runs at 117 BPM, a mid-tempo track.
What mixes well with Nighttrain (Feat Christiane Spruit) (Original) [David Hasert]?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Nighttrain (Feat Christiane Spruit) (Original) [David Hasert] good for peak time?
With energy 67 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 117 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More deep house
More from David Hasert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
