Things That Matter - Jody Wisternoff & James Grant Remix
30s preview
- BPM
- 117
- Open Key
- 11d
- Energy
- 72/100
- Pop
- 5/100
- Length
- 3:34
- Released
- 2019
- Album
- James Grant & Jody Wisternoff’s Anjunadeep 10 Remix Sampler
- Genre
- Progressive House
- Loudness
- -7.6 dB
- Dynamics
- 10.8 dB
- ISRC
- GBEWA1900900
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
A mid-tempo progressive house cut, Things That Matter - Jody Wisternoff & James Grant Remix sits in B♭ major (6B) at 117 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 97% of Jody Wisternoff's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Things That Matter - Jody Wisternoff & James Grant Remix in?
Things That Matter - Jody Wisternoff & James Grant Remix by Jody Wisternoff is in B♭ major, or 6B on the Camelot wheel.
What BPM is Things That Matter - Jody Wisternoff & James Grant Remix?
Things That Matter - Jody Wisternoff & James Grant Remix runs at 117 BPM, a mid-tempo track.
What mixes well with Things That Matter - Jody Wisternoff & James Grant Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Things That Matter - Jody Wisternoff & James Grant Remix good for peak time?
With energy 72 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 117 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More progressive house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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