Guilt Trip
30s preview
- Key
- 6A · G minor
- BPM
- 117
- Open Key
- 11m
- Energy
- 78/100
- Pop
- 24/100
- Length
- 5:32
- Released
- 2017
- Album
- You Are Safe
- Genre
- Progressive House
- Label
- Keinemusik
- Loudness
- -10.2 dB
- Dynamics
- 12.6 dB
- ISRC
- DEEC31750048
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Guilt Triporiginal9A · 117
- Guilt Trip - Johannes Albert Remixremix9B · 121
Guilt Trip is a mid-tempo progressive house track in G minor (6A) at 117 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Slower than 98% of Adam Port's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Guilt Trip in?
Guilt Trip by Adam Port is in G minor, or 6A on the Camelot wheel.
What BPM is Guilt Trip?
Guilt Trip runs at 117 BPM, a mid-tempo track.
What mixes well with Guilt Trip?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Guilt Trip good for peak time?
With energy 78 out of 100 at 117 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 117 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More progressive house
More from Adam Port
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
