First Line by Nick Muir cover art

First Line

Nick Muir

30s preview

Key
10B · D major
BPM
118
Open Key
3d
Energy
68/100
Pop
14/100
Length
4:58
Released
2014
Album
The Traveler
Genre
Progressive House
Label
Bedrock Records
Loudness
-13.5 dB
Dynamics
13.7 dB
ISRC
GBEPM1400922

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

First Line runs 118 BPM in D major (10B), a mid-tempo progressive house record. The feel is dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Slower than 89% of Nick Muir's catalogue. In a set it works best as a mid-set roller.

Reach:
better known than 83% of Nick Muir's catalogue
Groove:
groovier than 82% of Nick Muir's catalogue
Energy:
calmer than 81% of Nick Muir's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood19Dark
Groove80
Acoustic0
Instrumental59
Live33
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is First Line in?

First Line by Nick Muir is in D major, or 10B on the Camelot wheel.

What BPM is First Line?

First Line runs at 118 BPM, a mid-tempo track.

What mixes well with First Line?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is First Line good for peak time?

With energy 68 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 118 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More progressive house

More from Nick Muir

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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