Synth for the Devil (extended mix)
30s preview
- BPM
- 118
- Open Key
- 8m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 3:51
- Released
- 2018
- Genre
- Deep House
- Loudness
- -12.2 dB
- Dynamics
- 14.7 dB
- ISRC
- NLF711807230
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Synth For The Devil (Mix Edit)version8B · 120
Synth for the Devil (extended mix) is a mid-tempo deep house track in B♭ minor (3A) at 118 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. More underground than 99% of Jan Blomqvist's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 95% of Jan Blomqvist's catalogue
- Tempo:
- slower than 88% of Jan Blomqvist's catalogue
- Energy:
- calmer than 81% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Synth for the Devil (extended mix) in?
Synth for the Devil (extended mix) by Jan Blomqvist is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Synth for the Devil (extended mix)?
Synth for the Devil (extended mix) runs at 118 BPM, a mid-tempo track.
What mixes well with Synth for the Devil (extended mix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Synth for the Devil (extended mix) good for peak time?
With energy 52 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 118 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
