Help Me Lose My Mind - Larry Heard Remix
30s preview
- BPM
- 115
- Open Key
- 8d
- Energy
- 36/100
- Pop
- 16/100
- Length
- 8:38
- Released
- 2013
- Album
- Settle (The Remixes)
- Genre
- House
- Loudness
- -15.0 dB
- Dynamics
- 12.5 dB
- ISRC
- GBUM71308627
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Help Me Lose My Mind - SOHN Remixremix4A · 109
- Help Me Lose My Mind - Paul Woolford Remixremix11A · 122
- Help Me Lose My Mindoriginal4A · 109
- Help Me Lose My Mindoriginal4A · 109
- Help Me Lose My Mind - Track By Trackoriginal4B · 108
Against the original (4A at 109 BPM), this version runs 6 BPM faster and moves the key from 4A to 3B.
Help Me Lose My Mind - Larry Heard Remix: mid-tempo house, D♭ major (3B), 115 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More bass-heavy than 99% of Disclosure's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Disclosure's catalogue
- Tempo:
- slower than 88% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Help Me Lose My Mind - Larry Heard Remix in?
Help Me Lose My Mind - Larry Heard Remix by Disclosure is in D♭ major, or 3B on the Camelot wheel.
What BPM is Help Me Lose My Mind - Larry Heard Remix?
Help Me Lose My Mind - Larry Heard Remix runs at 115 BPM, a mid-tempo track.
What mixes well with Help Me Lose My Mind - Larry Heard Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Help Me Lose My Mind - Larry Heard Remix good for peak time?
With energy 36 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 115 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
