Still Not Born
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 6m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 4:20
- Released
- 2017
- Genre
- Techno
- Loudness
- -8.5 dB
- Dynamics
- 11.6 dB
- ISRC
- DEBE71700172
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Still Not Born - Club Mixversion2B · 122
- Still Not Born - Dub Mixversion2B · 122
A driving up-tempo techno cut, Still Not Born sits in A♭ minor (1A) at 142 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of Tim Green's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 96% of Tim Green's catalogue
- Groove:
- less groove-driven than 95% of Tim Green's catalogue
- Brightness:
- brighter than 77% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Still Not Born in?
Still Not Born by Tim Green is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Still Not Born?
Still Not Born runs at 142 BPM, a driving up-tempo track.
What mixes well with Still Not Born?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Still Not Born good for peak time?
With energy 82 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 142 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
