Echo Dissolve
30s preview
- BPM
- 71
- Double-time
- 142
- Open Key
- 4m
- Energy
- 7/100
- Pop
- 33/100
- Length
- 3:22
- Released
- 2018
- Genre
- Electro
- Loudness
- -28.3 dB
- Dynamics
- 20.6 dB
- ISRC
- GBCEL1700697
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Echo Dissolve: electro, F♯ minor (11A), 71 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2018 production that still circulates in sets. Calmer than 91% of Jon Hopkins's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 90% of Jon Hopkins's catalogue
- Reach:
- better known than 80% of Jon Hopkins's catalogue
- Low end:
- more treble-tilted than 80% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Echo Dissolve in?
Echo Dissolve by Jon Hopkins is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Echo Dissolve?
Echo Dissolve runs at 71 BPM.
What mixes well with Echo Dissolve?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Echo Dissolve good for peak time?
With energy 7 out of 100 at 71 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 71 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 67-75 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 71 — beatmatch without a big tempo pull.
More electro
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 71 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
