Catch Me by Cari Lekebusch cover art
Key
8A · A minor
BPM
130
Open Key
1m
Energy
65/100
Pop
0/100
Length
8:40
Released
2010
Genre
Techno
Loudness
-7.5 dB
ISRC
GBYNV1000630

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Catch Me runs 130 BPM in A minor (8A), a peak-time tempo techno record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. More underground than 99% of Cari Lekebusch's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 87% of Cari Lekebusch's catalogue
Groove:
groovier than 80% of Cari Lekebusch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood43Balanced
Groove80
Acoustic0
Instrumental92
Live29
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Catch Me in?

Catch Me by Cari Lekebusch is in A minor, or 8A on the Camelot wheel.

What BPM is Catch Me?

Catch Me runs at 130 BPM, a peak-time tempo track.

What mixes well with Catch Me?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Catch Me good for peak time?

With energy 65 out of 100 at 130 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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