![Moving [edit] by Eli Brown cover art](https://i.scdn.co/image/ab67616d00001e026bbeb8abda6f225a704465f9)
Moving [edit]
30s preview
- BPM
- 128
- Open Key
- 5d
- Energy
- 96/100
- Pop
- 40/100
- Length
- 3:13
- Released
- 2020
- Album
- Moving
- Genre
- Acid
- Label
- Columbia
- Loudness
- -6.5 dB
- Dynamics
- 9.8 dB
- ISRC
- GBARL2000307
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Movingoriginal12A · 128
Against the original (12A at 128 BPM), this version holds the same tempo and moves the key from 12A to 12B.
A peak-time tempo acid cut, Moving [edit] sits in E major (12B) at 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 89% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 80% of Eli Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Moving [edit] in?
Moving [edit] by Eli Brown is in E major, or 12B on the Camelot wheel.
What BPM is Moving [edit]?
Moving [edit] runs at 128 BPM, a peak-time tempo track.
What mixes well with Moving [edit]?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Moving [edit] good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More acid
More from Eli Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Cirrus [2/3] by NTO cover art](https://i.scdn.co/image/ab67616d00001e0282b74ee689d5aa9724d6537a){kind=small}
![Cirrus [2/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a36beb57b42fcb4734ae.webp){kind=small}
