Koma (Remastered)
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 99/100
- Pop
- 12/100
- Length
- 4:04
- Released
- 1993
- Album
- Sheet One (Remastered)
- Genre
- Techno
- Loudness
- -6.8 dB
- Dynamics
- 18.4 dB
- ISRC
- CAM269380031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Koma (2023 Remastered)original3A · 128
A peak-time tempo techno cut, Koma (Remastered) sits in B♭ minor (3A) at 128 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 1993 production that still circulates in sets. Brighter than 99% of Richie Hawtin's catalogue.
- Energy:
- hotter than 97% of Richie Hawtin's catalogue
- Low end:
- more treble-tilted than 95% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Koma (Remastered) in?
Koma (Remastered) by Richie Hawtin is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Koma (Remastered)?
Koma (Remastered) runs at 128 BPM, a peak-time tempo track.
What mixes well with Koma (Remastered)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Koma (Remastered) good for peak time?
With energy 99 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Cirrus [2/3] by NTO cover art](https://i.scdn.co/image/ab67616d00001e0282b74ee689d5aa9724d6537a){kind=small}
![Cirrus [2/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a36beb57b42fcb4734ae.webp){kind=small}
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Moving [edit] by Eli Brown cover art](https://i.scdn.co/image/ab67616d00001e026bbeb8abda6f225a704465f9){kind=small}
