
Killer - Miane Remix
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 98/100
- Pop
- 7/100
- Length
- 3:33
- Released
- 2020
- Album
- Killer (Remixes)
- Genre
- Techno
- Loudness
- -4.2 dB
- Dynamics
- 9.7 dB
- ISRC
- GBUM72006090
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Killeroriginal9B · 128
- Killer - Radio Slave Remixremix9B · 128
- Killer - Radio Slave's Attack Ships On Fire Remixremix6A · 128
- Killer (extended)version4B · 128
Against the original (9B at 128 BPM), this version holds the same tempo and moves the key from 9B to 4A.
Killer - Miane Remix runs 128 BPM in F minor (4A), a peak-time tempo techno record. It reads as bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Less groove-driven than 88% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 81% of Eli Brown's catalogue
- Energy:
- hotter than 80% of Eli Brown's catalogue
- Low end:
- more bass-heavy than 80% of Eli Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Killer - Miane Remix in?
Killer - Miane Remix by Eli Brown is in F minor, or 4A on the Camelot wheel.
What BPM is Killer - Miane Remix?
Killer - Miane Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Killer - Miane Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Killer - Miane Remix good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Eli Brown
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.