Round Around by Jamie Stevens cover art

Round Around

Jamie Stevens

30s preview

Key
9A · E minor
BPM
125
Open Key
2m
Energy
91/100
Pop
4/100
Length
6:45
Released
2024
Genre
Progressive House
Loudness
-10.1 dB
Dynamics
15.6 dB
ISRC
NLHR22401129

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Round Around: club-tempo progressive house, E minor (9A), 125 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 94% of Jamie Stevens's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 86% of Jamie Stevens's catalogue
Tempo:
faster than 82% of Jamie Stevens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood30Dark
Groove69
Acoustic0
Instrumental83
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Round Around in?

Round Around by Jamie Stevens is in E minor, or 9A on the Camelot wheel.

What BPM is Round Around?

Round Around runs at 125 BPM, a club-tempo track.

What mixes well with Round Around?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Round Around good for peak time?

With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More progressive house

More from Jamie Stevens

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track