
Hey Pretty Girl
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 3:30
- Released
- 2010
- Genre
- Progressive House
- Loudness
- -6.5 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hey Pretty Girl is a club-tempo progressive house track in E minor (9A) at 125 BPM. It reads as punchy, neutral in mood. It is vocal-led. A 2010 production that still circulates in sets. More underground than 99% of Guy Mantzur's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 90% of Guy Mantzur's catalogue
- Groove:
- less groove-driven than 87% of Guy Mantzur's catalogue
- Brightness:
- brighter than 77% of Guy Mantzur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hey Pretty Girl in?
Hey Pretty Girl by Guy Mantzur is in E minor, or 9A on the Camelot wheel.
What BPM is Hey Pretty Girl?
Hey Pretty Girl runs at 125 BPM, a club-tempo track.
What mixes well with Hey Pretty Girl?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Hey Pretty Girl good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.