Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix
30s preview
- Key
- 1B · B major
- BPM
- 125
- Open Key
- 6d
- Energy
- 90/100
- Pop
- 4/100
- Length
- 3:55
- Released
- 2020
- Album
- Afterglow (feat. Natalie Shay) [The Remixes]
- Genre
- Progressive House
- Loudness
- -5.1 dB
- Dynamics
- 11.0 dB
- ISRC
- GBEWA1910021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Afterglow (feat. Natalie Shay) - Kryder Remixremix2B · 126
- Afterglow (feat. Natalie Shay) - CYA Remixremix3A · 122
- Afterglow (feat. Natalie Shay)original2B · 128
- Aftergloworiginal2B · 128
- Afterglow (feat. Natalie Shay) - Kryder Extended Mixversion2B · 126
- Afterglow (feat. Natalie Shay) - Anderholm Remixremix2A · 124
Against the original (2B at 128 BPM), this version runs 3 BPM slower and moves the key from 2B to 1B.
Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix: club-tempo progressive house, B major (1B), 125 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 81% of Grum's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix in?
Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix by Grum is in B major, or 1B on the Camelot wheel.
What BPM is Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix?
Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix runs at 125 BPM, a club-tempo track.
What mixes well with Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Afterglow (feat. Natalie Shay) - Pavel Khvaleev Remix good for peak time?
With energy 90 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
