With You by Jamie Stevens cover art

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
88/100
Pop
0/100
Length
7:17
Released
2023
Genre
Progressive House
Loudness
-5.9 dB
Dynamics
16.1 dB
ISRC
UK4QG2310108

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo progressive house cut, With You sits in B minor (10A) at 125 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Jamie Stevens's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 95% of Jamie Stevens's catalogue
Tempo:
faster than 82% of Jamie Stevens's catalogue
Energy:
hotter than 80% of Jamie Stevens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood33Balanced
Groove62
Acoustic0
Instrumental80
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is With You in?

With You by Jamie Stevens is in B minor, or 10A on the Camelot wheel.

What BPM is With You?

With You runs at 125 BPM, a club-tempo track.

What mixes well with With You?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is With You good for peak time?

With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More progressive house

More from Jamie Stevens

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track