Departure by Patrice Bäumel cover art

30s preview

Key
2A · E♭ minor
BPM
125
Open Key
7m
Energy
88/100
Pop
7/100
Length
5:49
Released
2016
Genre
Tech House
Loudness
-11.6 dB
Dynamics
16.2 dB
ISRC
AUXN21727799

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Departure sits in E♭ minor (2A) at 125 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2016 production that still circulates in sets. More treble-tilted than 99% of Patrice Bäumel's catalogue.

Groove:
less groove-driven than 90% of Patrice Bäumel's catalogue
Energy:
hotter than 85% of Patrice Bäumel's catalogue
Brightness:
darker than 82% of Patrice Bäumel's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood7Dark
Groove56
Acoustic22
Instrumental92
Live18
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
18%
Low
30-130 Hz
38%
Low-mid
130-570 Hz
32%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Departure in?

Departure by Patrice Bäumel is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Departure?

Departure runs at 125 BPM, a club-tempo track.

What mixes well with Departure?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Departure good for peak time?

With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 125 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Patrice Bäumel

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track