Six Months by Deborah de Luca cover art

Six Months

Deborah de Luca

30s preview

Key
11B · A major
BPM
125
Open Key
4d
Energy
55/100
Pop
1/100
Length
6:24
Released
2013
Genre
Techno
Label
Sola_mente Records
Loudness
-9.0 dB
Dynamics
16.0 dB
ISRC
DEUD41807289

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Six Months is a club-tempo techno track in A major (11B) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 2013 production that still circulates in sets. Calmer than 93% of Deborah de Luca's catalogue.

Reach:
more underground than 92% of Deborah de Luca's catalogue
Tempo:
slower than 88% of Deborah de Luca's catalogue
Brightness:
brighter than 83% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood42Balanced
Groove81
Acoustic0
Instrumental90
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Six Months in?

Six Months by Deborah de Luca is in A major, or 11B on the Camelot wheel.

What BPM is Six Months?

Six Months runs at 125 BPM, a club-tempo track.

What mixes well with Six Months?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Six Months good for peak time?

With energy 55 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Deborah de Luca

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track