CYE and OYM - Original Mix
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 56/100
- Pop
- 4/100
- Length
- 7:12
- Released
- 2016
- Album
- Shining EP
- Genre
- Techno
- Loudness
- -9.7 dB
- Dynamics
- 9.7 dB
- ISRC
- ATDB31600289
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
CYE and OYM - Original Mix: club-tempo techno, D major (10B), 125 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Calmer than 92% of Deborah de Luca's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 88% of Deborah de Luca's catalogue
- Reach:
- more underground than 82% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is CYE and OYM - Original Mix in?
CYE and OYM - Original Mix by Deborah de Luca is in D major, or 10B on the Camelot wheel.
What BPM is CYE and OYM - Original Mix?
CYE and OYM - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with CYE and OYM - Original Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is CYE and OYM - Original Mix good for peak time?
With energy 56 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
