The Madness
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 57/100
- Pop
- 11/100
- Length
- 8:10
- Released
- 2013
- Album
- Feuerfalter Part 01
- Genre
- Minimal Techno
- Label
- Harthouse Mannheim
- Loudness
- -11.4 dB
- Dynamics
- 10.4 dB
- ISRC
- DEAZ31305736
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Madness - Remasteredoriginal8B · 125
The Madness: club-tempo minimal techno, C major (8B), 125 BPM. It reads as balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 83% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Madness in?
The Madness by Boris Brejcha is in C major, or 8B on the Camelot wheel.
What BPM is The Madness?
The Madness runs at 125 BPM, a club-tempo track.
What mixes well with The Madness?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The Madness good for peak time?
With energy 57 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
