Raw - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 7:10
- Released
- 2011
- Album
- Raw EP
- Genre
- Tech House
- Loudness
- -13.6 dB
- Dynamics
- 15.9 dB
- ISRC
- GBKQU1027912
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Raw - Original Mix runs 125 BPM in F minor (4A), a club-tempo tech house record. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2011 production that still circulates in sets. More underground than 99% of Sidney Charles's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 98% of Sidney Charles's catalogue
- Brightness:
- brighter than 98% of Sidney Charles's catalogue
- Groove:
- groovier than 86% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Raw - Original Mix in?
Raw - Original Mix by Sidney Charles is in F minor, or 4A on the Camelot wheel.
What BPM is Raw - Original Mix?
Raw - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Raw - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Raw - Original Mix good for peak time?
With energy 57 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
