Love by Chris Veron cover art

30s preview

Key
4A · F minor
BPM
135
Open Key
9m
Energy
93/100
Pop
12/100
Length
4:20
Released
2024
Genre
Techno
Loudness
-7.0 dB
Dynamics
8.1 dB
ISRC
DEH742400357

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Love runs 135 BPM in F minor (4A), a driving up-tempo techno record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 91% of Chris Veron's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 86% of Chris Veron's catalogue
Energy:
hotter than 84% of Chris Veron's catalogue
Low end:
more bass-heavy than 83% of Chris Veron's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood35Balanced
Groove79
Acoustic0
Instrumental77
Live3
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Love in?

Love by Chris Veron is in F minor, or 4A on the Camelot wheel.

What BPM is Love?

Love runs at 135 BPM, a driving up-tempo track.

What mixes well with Love?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Love good for peak time?

With energy 93 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 135 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track