Children (Radio Edit)
30s preview
- BPM
- 135
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 3:26
- Released
- 2022
- Album
- Children
- Genre
- Techno
- Loudness
- -9.6 dB
- Dynamics
- 16.0 dB
- ISRC
- ITJ872200371
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Children (radio edit)version3B · 135
Children (Radio Edit) is a driving up-tempo techno track in D♭ major (3B) at 135 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Deborah de Luca's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 98% of Deborah de Luca's catalogue
- Brightness:
- darker than 91% of Deborah de Luca's catalogue
- Energy:
- hotter than 83% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Children (Radio Edit) in?
Children (Radio Edit) by Deborah de Luca is in D♭ major, or 3B on the Camelot wheel.
What BPM is Children (Radio Edit)?
Children (Radio Edit) runs at 135 BPM, a driving up-tempo track.
What mixes well with Children (Radio Edit)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Children (Radio Edit) good for peak time?
With energy 95 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 135 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
