palm of my hands by John Summit cover art

palm of my hands

John Summit

Key
12A · D♭ minor
BPM
170
Half-time
85
Open Key
5m
Energy
91/100
Pop
47/100
Length
2:11
Released
2024
Genre
Tech House
Label
Experts Only
Loudness
-5.4 dB
ISRC
USUG12404446
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

palm of my hands runs 170 BPM in D♭ minor (12A), a very fast tech house record. Faster than 98% of John Summit's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 77% of John Summit's catalogue
Brightness:
darker than 76% of John Summit's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood19Dark
Groove60
Acoustic18
Instrumental25
Live64
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is palm of my hands in?

palm of my hands by John Summit is in D♭ minor, or 12A on the Camelot wheel.

What BPM is palm of my hands?

palm of my hands runs at 170 BPM, a very fast track.

What mixes well with palm of my hands?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is palm of my hands good for peak time?

With energy 91 out of 100 at 170 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 170 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 170 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track