palm of my hands - Odd Mob Remix
30s preview
- BPM
- 132
- Open Key
- 8m
- Energy
- 91/100
- Pop
- 65/100
- Length
- 3:24
- Released
- 2024
- Album
- palm of my hands (Odd Mob Remix)
- Genre
- Tech House
- Label
- Experts Only
- Loudness
- -4.1 dB
- Dynamics
- 10.9 dB
- ISRC
- USUG12406520
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- palm of my handsoriginal12A · 170
- palm of my handsoriginal12A · 170
Against the original (12A at 170 BPM), this version runs 38 BPM slower and moves the key from 12A to 3A.
A peak-time tempo tech house cut, palm of my hands - Odd Mob Remix sits in B♭ minor (3A) at 132 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Groovier than 96% of John Summit's catalogue.
- Reach:
- better known than 91% of John Summit's catalogue
- Tempo:
- faster than 81% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is palm of my hands - Odd Mob Remix in?
palm of my hands - Odd Mob Remix by John Summit is in B♭ minor, or 3A on the Camelot wheel.
What BPM is palm of my hands - Odd Mob Remix?
palm of my hands - Odd Mob Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with palm of my hands - Odd Mob Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is palm of my hands - Odd Mob Remix good for peak time?
With energy 91 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More tech house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
