Right There
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 4m
- Energy
- 99/100
- Pop
- 4/100
- Length
- 5:19
- Released
- 2021
- Genre
- Breaks
- Loudness
- -4.1 dB
- Dynamics
- 10.2 dB
- ISRC
- UKN6K2002424
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Right There is a very fast breaks track in F♯ minor (11A) at 170 BPM. It reads as punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 98% of Julian Muller's catalogue. In a set it works best as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Right There in?
Right There by Julian Muller is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Right There?
Right There runs at 170 BPM, a very fast track.
What mixes well with Right There?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Right There good for peak time?
With energy 99 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 170 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More breaks
More from Julian Muller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
