The Future Is Ours - Warehouse Mix
30s preview
- Key
- 9A · E minor
- BPM
- 135
- Open Key
- 2m
- Energy
- 76/100
- Pop
- 2/100
- Length
- 5:30
- Released
- 2021
- Album
- The Future Is Ours
- Genre
- Techno
- Label
- Tronic
- Loudness
- -8.7 dB
- Dynamics
- 12.5 dB
- ISRC
- GBKQU2147234
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Future Is Oursoriginal4B · 135
A driving up-tempo techno cut, The Future Is Ours - Warehouse Mix sits in E minor (9A) at 135 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 85% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 82% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Future Is Ours - Warehouse Mix in?
The Future Is Ours - Warehouse Mix by Christian Smith is in E minor, or 9A on the Camelot wheel.
What BPM is The Future Is Ours - Warehouse Mix?
The Future Is Ours - Warehouse Mix runs at 135 BPM, a driving up-tempo track.
What mixes well with The Future Is Ours - Warehouse Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is The Future Is Ours - Warehouse Mix good for peak time?
With energy 76 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 135 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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