Jump The Fence by Cari Lekebusch cover art

Jump The Fence

Cari Lekebusch

30s preview

Key
3B · D♭ major
BPM
135
Open Key
8d
Energy
74/100
Pop
0/100
Length
6:42
Released
2019
Album
Gimma
Genre
Techno
Label
OFF Recordings
Loudness
-10.7 dB
Dynamics
9.1 dB
ISRC
GBLV61906295

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Jump The Fence is a driving up-tempo techno track in D♭ major (3B) at 135 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Cari Lekebusch's catalogue. In a set it works best as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood40Balanced
Groove79
Acoustic28
Instrumental93
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Jump The Fence in?

Jump The Fence by Cari Lekebusch is in D♭ major, or 3B on the Camelot wheel.

What BPM is Jump The Fence?

Jump The Fence runs at 135 BPM, a driving up-tempo track.

What mixes well with Jump The Fence?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Jump The Fence good for peak time?

With energy 74 out of 100 at 135 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 135 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

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#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track