Moon Bird by Alan Fitzpatrick cover art

30s preview

Key
10A · B minor
BPM
135
Open Key
3m
Energy
75/100
Pop
0/100
Length
5:02
Released
2022
Genre
Techno
Loudness
-11.8 dB
Dynamics
8.4 dB
ISRC
GBJX32298012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Moon Bird runs 135 BPM in B minor (10A), a driving up-tempo techno record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Alan Fitzpatrick's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 87% of Alan Fitzpatrick's catalogue
Tempo:
faster than 78% of Alan Fitzpatrick's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood32Dark
Groove70
Acoustic0
Instrumental89
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
46%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Moon Bird in?

Moon Bird by Alan Fitzpatrick is in B minor, or 10A on the Camelot wheel.

What BPM is Moon Bird?

Moon Bird runs at 135 BPM, a driving up-tempo track.

What mixes well with Moon Bird?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Moon Bird good for peak time?

With energy 75 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 75/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track