The Wire
- BPM
- 135
- Open Key
- 8m
- Energy
- 81/100
- Pop
- 2/100
- Length
- 6:32
- Released
- 2003
- Genre
- Techno
- Loudness
- -10.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Wire: driving up-tempo techno, B♭ minor (3A), 135 BPM. The feel is dark and driving. Vocals read as instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2003 production that still circulates in sets. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Wire in?
The Wire by Robert Hood is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Wire?
The Wire runs at 135 BPM, a driving up-tempo track.
What mixes well with The Wire?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Wire good for peak time?
With energy 81 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Robert Hood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
