Out of Balance by Charlotte de Witte cover art

Out of Balance

Charlotte de Witte

30s preview

Key
3A · B♭ minor
BPM
135
Open Key
8m
Energy
84/100
Pop
0/100
Length
6:55
Released
2020
Genre
Techno
Loudness
-12.4 dB
Dynamics
8.1 dB
ISRC
DECY52000178

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Out of Balance: driving up-tempo techno, B♭ minor (3A), 135 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Charlotte de Witte's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
darker than 91% of Charlotte de Witte's catalogue
Groove:
less groove-driven than 79% of Charlotte de Witte's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood4Dark
Groove69
Acoustic10
Instrumental90
Live10
Speech7
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
47%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Out of Balance in?

Out of Balance by Charlotte de Witte is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Out of Balance?

Out of Balance runs at 135 BPM, a driving up-tempo track.

What mixes well with Out of Balance?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Out of Balance good for peak time?

With energy 84 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

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#Track

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track