Fuori
30s preview
- BPM
- 135
- Open Key
- 8m
- Energy
- 81/100
- Pop
- 25/100
- Length
- 5:43
- Released
- 2020
- Genre
- Techno
- Label
- Sola_mente Records
- Loudness
- -10.0 dB
- Dynamics
- 12.3 dB
- ISRC
- DEUD42322706
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fuori - Carl Cox Remixremix1B · 135
- Fuorioriginal10B · 130
A driving up-tempo techno cut, Fuori sits in B♭ minor (3A) at 135 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 77% of Deborah de Luca's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 76% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Fuori in?
Fuori by Deborah de Luca is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Fuori?
Fuori runs at 135 BPM, a driving up-tempo track.
What mixes well with Fuori?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Fuori good for peak time?
With energy 81 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
