Works (Morphosis 2013 rework)
30s preview
- BPM
- 125
- Open Key
- 7d
- Energy
- 65/100
- Pop
- 2/100
- Length
- 9:55
- Released
- 2019
- Genre
- Techno
- Loudness
- -11.1 dB
- Dynamics
- 8.5 dB
- ISRC
- DEMM41901788
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Works (Morphosis 2013 rework) runs 125 BPM in F♯ major (2B), a club-tempo techno record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 88% of Marcel Dettmann's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 87% of Marcel Dettmann's catalogue
- Low end:
- more bass-heavy than 85% of Marcel Dettmann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Works (Morphosis 2013 rework) in?
Works (Morphosis 2013 rework) by Marcel Dettmann is in F♯ major, or 2B on the Camelot wheel.
What BPM is Works (Morphosis 2013 rework)?
Works (Morphosis 2013 rework) runs at 125 BPM, a club-tempo track.
What mixes well with Works (Morphosis 2013 rework)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Works (Morphosis 2013 rework) good for peak time?
With energy 65 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Marcel Dettmann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
