Kuar - Henrik Schwarz Remix
30s preview
- BPM
- 125
- Open Key
- 7m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 8:24
- Released
- 2020
- Album
- Kuar (Henrik Schwarz Remix)
- Genre
- House
- Loudness
- -8.7 dB
- Dynamics
- 11.1 dB
- ISRC
- DEEC31000017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kuar (Henrik Schwarz Remix)remix2A · 125
- Kuar - Don't Let Your Vote Be Fake Newsed Mixoriginal3A · 125
Against the original (3A at 125 BPM), this version holds the same tempo and moves the key from 3A to 2A.
Kuar - Henrik Schwarz Remix is a club-tempo house track in E♭ minor (2A) at 125 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Henrik Schwarz's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Kuar - Henrik Schwarz Remix in?
Kuar - Henrik Schwarz Remix by Henrik Schwarz is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Kuar - Henrik Schwarz Remix?
Kuar - Henrik Schwarz Remix runs at 125 BPM, a club-tempo track.
What mixes well with Kuar - Henrik Schwarz Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Kuar - Henrik Schwarz Remix good for peak time?
With energy 66 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 125 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
