Don't Mind Me by Weska cover art

Don't Mind Me

Weska

30s preview

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
65/100
Pop
0/100
Length
7:29
Released
2014
Genre
Techno
Loudness
-11.1 dB
Dynamics
7.5 dB
ISRC
GBKQU1418635

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Don't Mind Me is a club-tempo techno track in B♭ minor (3A) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Weska's catalogue. For programming, treat it as a mid-set roller.

Tempo:
slower than 98% of Weska's catalogue
Energy:
calmer than 95% of Weska's catalogue
Low end:
more bass-heavy than 78% of Weska's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood13Dark
Groove78
Acoustic1
Instrumental90
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is Don't Mind Me in?

Don't Mind Me by Weska is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Don't Mind Me?

Don't Mind Me runs at 125 BPM, a club-tempo track.

What mixes well with Don't Mind Me?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Don't Mind Me good for peak time?

With energy 65 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Weska

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track