Kissing Your Eyes (André Hommen Remix) by Tim Engelhardt cover art

Kissing Your Eyes (André Hommen Remix)

Tim Engelhardt

Key
3B · D♭ major
BPM
125
Open Key
8d
Energy
66/100
Pop
1/100
Length
6:55
Released
2017
Genre
Tech House
Loudness
-8.8 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4B at 125 BPM), this version holds the same tempo and moves the key from 4B to 3B.

At 125 BPM in D♭ major (3B), Kissing Your Eyes (André Hommen Remix) is a club-tempo tech house production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. Faster than 78% of Tim Engelhardt's catalogue. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy66
Mood15Dark
Groove80
Acoustic2
Instrumental89
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Kissing Your Eyes (André Hommen Remix) in?

Kissing Your Eyes (André Hommen Remix) by Tim Engelhardt is in D♭ major, or 3B on the Camelot wheel.

What BPM is Kissing Your Eyes (André Hommen Remix)?

Kissing Your Eyes (André Hommen Remix) runs at 125 BPM, a club-tempo track.

What mixes well with Kissing Your Eyes (André Hommen Remix)?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Kissing Your Eyes (André Hommen Remix) good for peak time?

With energy 66 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Tim Engelhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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