Kissing Your Eyes
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 7:27
- Released
- 2017
- Album
- Moments of Truth
- Genre
- Deep House
- Loudness
- -10.6 dB
- Dynamics
- 10.8 dB
- ISRC
- DEL021720005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kissing Your Eyes (André Hommen Remix)remix3B · 125
- Kissing Your Eyes - André Hommen Remixremix3B · 125
A club-tempo deep house cut, Kissing Your Eyes sits in A♭ major (4B) at 125 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Tim Engelhardt's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 89% of Tim Engelhardt's catalogue
- Energy:
- hotter than 88% of Tim Engelhardt's catalogue
- Brightness:
- brighter than 86% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Kissing Your Eyes in?
Kissing Your Eyes by Tim Engelhardt is in A♭ major, or 4B on the Camelot wheel.
What BPM is Kissing Your Eyes?
Kissing Your Eyes runs at 125 BPM, a club-tempo track.
What mixes well with Kissing Your Eyes?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Kissing Your Eyes good for peak time?
With energy 86 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
