Shake & Pop - Radio Edit
30s preview
- BPM
- 129
- Open Key
- 7d
- Energy
- 69/100
- Pop
- 30/100
- Length
- 3:43
- Released
- 2006
- Album
- Shake & Pop
- Genre
- House
- Label
- Relief Records
- Loudness
- -6.7 dB
- Dynamics
- 11.6 dB
- ISRC
- USCEI1120293
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shake & Pop - John Summit Remixremix9B · 129
- Shake & Poporiginal2B · 129
- Shake & Pop - Original Mixoriginal2B · 129
Against the original (2B at 129 BPM), this version holds the same tempo in the same key.
Shake & Pop - Radio Edit is a peak-time tempo house track in F♯ major (2B) at 129 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2006 production that still circulates in sets. Groovier than 96% of Green Velvet's catalogue.
- Reach:
- better known than 89% of Green Velvet's catalogue
- Tempo:
- faster than 82% of Green Velvet's catalogue
- Energy:
- calmer than 77% of Green Velvet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Shake & Pop - Radio Edit in?
Shake & Pop - Radio Edit by Green Velvet is in F♯ major, or 2B on the Camelot wheel.
What BPM is Shake & Pop - Radio Edit?
Shake & Pop - Radio Edit runs at 129 BPM, a peak-time tempo track.
What mixes well with Shake & Pop - Radio Edit?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Shake & Pop - Radio Edit good for peak time?
With energy 69 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 129 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from Green Velvet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
