Peters H
30s preview
- BPM
- 129
- Open Key
- 8d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 6:35
- Released
- 2009
- Album
- Peter & Jane
- Genre
- Tech House
- Loudness
- -10.2 dB
- Dynamics
- 10.7 dB
- ISRC
- DEH740904423
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Peters H - Click Box Remixremix1B · 125
At 129 BPM in D♭ major (3B), Peters H is a peak-time tempo tech house production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Faster than 99% of Marc DePulse's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Marc DePulse's catalogue
- Low end:
- more bass-heavy than 97% of Marc DePulse's catalogue
- Groove:
- groovier than 77% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Peters H in?
Peters H by Marc DePulse is in D♭ major, or 3B on the Camelot wheel.
What BPM is Peters H?
Peters H runs at 129 BPM, a peak-time tempo track.
What mixes well with Peters H?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Peters H good for peak time?
With energy 68 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 129 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
