Get Out
30s preview
- Key
- 9B · G major
- BPM
- 129
- Open Key
- 2d
- Energy
- 72/100
- Pop
- 5/100
- Length
- 6:57
- Released
- 2021
- Genre
- Tech House
- Loudness
- -8.0 dB
- Dynamics
- 17.9 dB
- ISRC
- GBKQU2190697
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Get Out sits in G major (9B) at 129 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 88% of Eddy M's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 76% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Get Out in?
Get Out by Eddy M is in G major, or 9B on the Camelot wheel.
What BPM is Get Out?
Get Out runs at 129 BPM, a peak-time tempo track.
What mixes well with Get Out?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Get Out good for peak time?
With energy 72 out of 100 at 129 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
