11025 by Umek cover art

11025

Umek

30s preview

Key
3A · B♭ minor
BPM
137
Open Key
8m
Energy
95/100
Pop
0/100
Length
4:52
Released
1997
Album
Sample Rate EP
Genre
Techno
Loudness
-2.3 dB
Dynamics
8.6 dB
ISRC
NLC050201649

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

11025 runs 137 BPM in B♭ minor (3A), a driving up-tempo techno record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 1997 production that still circulates in sets. Groovier than 99% of Umek's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 99% of Umek's catalogue
Reach:
more underground than 99% of Umek's catalogue
Low end:
more treble-tilted than 95% of Umek's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood94Bright
Groove93
Acoustic16
Instrumental95
Live8
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is 11025 in?

11025 by Umek is in B♭ minor, or 3A on the Camelot wheel.

What BPM is 11025?

11025 runs at 137 BPM, a driving up-tempo track.

What mixes well with 11025?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is 11025 good for peak time?

With energy 95 out of 100 at 137 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 137 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 137 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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