Let Yourself Go - Warehouse Dub
- Key
- 9B · G major
- BPM
- 137
- Open Key
- 2d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:30
- Released
- 2021
- Album
- Let Yourself Go / Atmosphere
- Genre
- Electro
- Label
- Tronic
- Loudness
- -6.2 dB
- ISRC
- GBLV62100148
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let Yourself Gooriginal9B · 135
Against the original (9B at 135 BPM), this version runs 2 BPM faster in the same key.
At 137 BPM in G major (9B), Let Yourself Go - Warehouse Dub is a driving up-tempo electro production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. More underground than 99% of Christian Smith's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 88% of Christian Smith's catalogue
- Energy:
- hotter than 82% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Let Yourself Go - Warehouse Dub in?
Let Yourself Go - Warehouse Dub by Christian Smith is in G major, or 9B on the Camelot wheel.
What BPM is Let Yourself Go - Warehouse Dub?
Let Yourself Go - Warehouse Dub runs at 137 BPM, a driving up-tempo track.
What mixes well with Let Yourself Go - Warehouse Dub?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Let Yourself Go - Warehouse Dub good for peak time?
With energy 92 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 137 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More electro
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
