Lovers on the Dancefloor (extended mix) by Blond:ish cover art

Lovers on the Dancefloor (extended mix)

Blond:ish

30s preview

Key
7A · D minor
BPM
128
Open Key
12m
Energy
92/100
Pop
66/100
Length
2:33
Released
2026
Genre
House
Loudness
-5.4 dB
Dynamics
10.2 dB
ISRC
QM6P42670310

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lovers on the Dancefloor (extended mix) runs 128 BPM in D minor (7A), a peak-time tempo house record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Blond:ish's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 89% of Blond:ish's catalogue
Tempo:
faster than 87% of Blond:ish's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood45Balanced
Groove72
Acoustic4
Instrumental1
Live18
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Lovers on the Dancefloor (extended mix) in?

Lovers on the Dancefloor (extended mix) by Blond:ish is in D minor, or 7A on the Camelot wheel.

What BPM is Lovers on the Dancefloor (extended mix)?

Lovers on the Dancefloor (extended mix) runs at 128 BPM, a peak-time tempo track.

What mixes well with Lovers on the Dancefloor (extended mix)?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Lovers on the Dancefloor (extended mix) good for peak time?

With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track